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One of the pressing issues in epic fantasy is that of how much scope should the novel cover. Should far-off events be hinted at, or explored in detail? Should every character’s decisions and actions be chronicled, or can some be glossed over? It’s a delicate balance to strike, and as can be seen in the case of Robert Jordan’s Wheel of Time series, it’s easy to go overboard in the wrong direction. I’m on the fence as to how well The Dragon’s Path did in this regard, as there’s a good case to be made for either side.
In a world where long-dead dragons created the thirteen races of humanity, war is brewing.
Marcus Wester, former military man, is now reduced to guarding caravans.
When his men get arrested, he has to hire some unlikely helpers to get a caravan to its destination.
One of the wagons contains, not merchant goods, but the aggregate wealth of an entire bank.
Its driver, a young girl fostered to the institution, must protect this wealth no matter what.
Far away from these events, an army is marching on a pivotal city. Political events back home leave Geder Palliako, a meek and scholarly man, as the governor of the conquered city. His obsession with a mythical object that may be the greatest weapon in the world leads him to shocking actions that will set him on a path that may compromise his morals and conscience.
And back in the ruling city, the king dithers on where to foster his son, the prince, not wanting to show favoritism to any one family. But those who seek power are not content to wait on the decision, and unrest begins to brew. What happens next may cause the downfall of many a great man, just when all need to stand united.